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Background by /u/Kitchen_Ur_Lies Marlanna Evans, better known as Rapsody, is a 36-year-old rapper from North Carolina primarily known for her affiliation and work with local producer 9th Wonder. After meeting her in 2004 while rapping with one of her earlier groups, Kooley High, he would sign her to his label in 2008. This led to the release of her debut mixtape, Return of the B-Girl in 2010, which would spark her collaborative work with artists such as DJ Premier and Mac Miller. Her sassy yet nimble delivery on this project gives her the versatility to deliver choppy and hard-hitting bars on Win while also making heads spin with her souled-out onslaught on Blankin Out. The project would bode well for her budding career, drawing early comparisons to female emcees of Lauryn Hill and MC Lyte. However, this qualifier of best female emcee would be the very item shed like to eliminate from her name in rap conversations, as she aimed to be one of the greatest emcees, full stop. She would go on to progress her rhyme patterns into rooted life experiences on her second mixtape, Thank H. E. R. Now. With a much more fleshed out tracklisting, she was able to score collaborations with the likes of Big K. I. T., Raekwon, and her second song with Mac Miller, whom she joined on his Incredibly Dope Tour in 2011. Rapsodys early work would open her circles to fellow newly acclaimed acts, including Kendrick Lamar, planting the seeds for collabs in the years to come. 2012 saw the long awaited release of her debut album, The Idea of Beautiful. Advancing her potential seen on previous releases, Rapsody weaves an auditory essay on the essence of beauty. The light boom bap and catch up presence throughout the album lays as a canvas for the poetry that unfolds, with highlights such as Roundtable Discussion and NonFiction. Dotted across the project is singer Nomsa Mazwai, who is showcased on the cover art and lent Rapsody the inspiration for the title and message of the album. The matured yet idealistic insight on the definition of beauty is something that is no stranger to her work and life experience. This project could be looked at as the kindling for something like Eve, which tackles the balance between being confident in her work and comfortable in her skin, and invoking that same stride into her peers and fellow black women. Dropping two more projects in the coming years with She Got Game and the Beauty and the Beast EP, her time came to speak on themes and principles of beauty by securing one of two featured rap verses on what is considered the peak of 2010s hip hop, To Pimp A Butterfly. No stranger to working with Kendrick, her contribution on Complexion (A Zulu Love) illuminates the systematic issues associated with colorism when defining beauty. Normalized beauty standards have taken aim at minimizing features from black people, including brown eyes and dark skin. She raps about feeling the need to cover her body in bleach cream at age eight to closer align herself with the arbitrary standards, then finally enforcing her dark side like a young George Lucas. This placement on such a celebrated work led to great interest in Rapsodys career leading up to that point, and the imminent future. Eyes were set and glued on her upcoming projects, including a signing to Jay-Zs Roc Nation by 2016. The first project to come during her Roc Nation career was Crown, a succinct yet remarkable entry in her discography coming in at a low 10 tracks, with highlights Gonna Miss You and OooWee. Two years of careful crafting culminated in the consecutive Lailas Wisdom, a purist panorama of the worldview for black women today. Paying homage to her grandmother Laila, Rapsody weaves together the topics of Southern life, police brutality, love, and blackness into one of her most acclaimed efforts to date. Accents of funk, R&B, and jazz find their presence necessary to tie the themes she tackles with such grace. A soulful intro into Lailas Wisdom aims to give the listener the Power to understand her message. The features assembled to fill their place in Rapsodys message cannot be understated, managing to bring out a patois Kendrick Lamar and a standout Black Thought verse. Busta Rhymes who made an appearance on [ You Should Know. praised this as the best album hes heard from a female MC period, but the best in the last 10 years. Receiving a storm of acclaim from several publications, Rapsody managed to receive nominations for Best Rap Album and Best Rap Song at the 60th Annual Grammys, though losing to DAMN and HUMBLE. Coming off the heels of such a monumental moment in her career, Rapsody furthered her attempts to scrub the qualifier of “female” to her name when listing great MCs. Besides sharpening her pen with guest appearances on projects such as 9ths Jamla Is The Squad II, an epiphany shaped the vision behind her forthcoming project. While being profiled for Oxford American, interviewer and poet L. Lamar Wilson played Nina Simone and Roberta Flack to stage the interview. What came about was the realization that Rapsody was the very extension of these fellow North Carolina artists and more. That same night, it inspired her to create a song which would later flourish into the concept for an entire album; celebrating the work and lives of black women. The timing of this project coincides at a time where the discussion is being had about what it means to be a black woman in America, and at a time where Rapsody has grasped her abilities as a lyricist and performer to convey her story in all its glory, through pain, power, and pride. Review by /u/Kitchen_Ur_Lies Clocking in at just over an hour with 16 tracks, Rapsody lays the foundation for the listener to become grounded in her perspective. Generations of black women act as conduits for Rapsodys ideas to be illustrated, with each being celebrated in their own respective right. 9th Wonder handles executive and sometimes literal production on this project, brimming each track with lush instrumentation and vocal samples that paint gusts of color for her words to represent. Some of these samples are incredibly high profile in stature, yet never manage to take away from the focal point herself, Rapsody. And while the album and its cover takes focus on Rapsody, it guides you to her through the tribulations of those that came before her. Anthemic in essence while uplifting in execution, the album commences the celebration with Nina. Nina Simone was quintessential blues singer and civil rights activist of her time. What Rapsody decided to take from her was the ability to reflect on herself and the times, as she quoted from Simone, “An artist's duty, as far as I'm concerned, is to reflect the times. ” Simone exemplified this herself by releasing Mississippi Goddam, a protest to the murder of Medgar Evers and the bombing of the 16th Street Baptist Church in Birmingham that claimed the lives of four black girls. This blacklisted Simone from the industry, but she prospered in empowerment nonetheless. Rapsody utilizes this track as a foundation for her own reflection within the industry. Simones rendition of Strange Fruit acts as a chilling canvas for Rapsody to lay down the facts. “Emit light, rap, or Emmett Till / I drew a line without showing my body, thats a skill. ” As a rapper in her lane attempting to bring light to atrocities and oppression, she feels her options are to rap on these subjects or get killed like Emmett Till, an innocent 14 year old who was lynched by grown men after a false accusation by a white woman. Rapsody has earned her placement in rap without giving in to sex appeal as well, because she wants her raps to speak for themselves, and this formula is what has brought her so far. Rapsody leaves the outro over the haunting instrumental for poet Reyna Biddy to shed light on her own perspective as a black woman, citing her pain, her feeling like prey, and how she wont be defeated. This resilience and firing back acts as a graceful segue into the next track with Cleo. Setting off the tone for Cleo we have Phil Collins In The Air Tonight to let us know Rapsody is in the building and isnt holding anything back. If you werent aware, Cleo is Queen Latifahs character in the 1996 movie Set It Off. The tomboyish yet “no-holds-barred” properties that she exudes in this role are invoked in Rapsody. She knows her place and isnt afraid to say it, “wonder how a bunch of sheep can have an opinion on a GOAT / dressed too tomboy, rap too lyrical. ” The way she dresses should have no effect on how people view her craft, yet it still finds its way as criticism she receives and attempts to take away from her status as a GOAT. One thing Cleo wasnt afraid of doing was sending shots, and neither is Rapsody after being brought down by someone some may look up to in the rap community. Charlamagne Tha God took to Twitter to claim Rapsody is an elite MC and better than 98% of living rappers, not long before Rap Radar co-host B. Dot claimed he was full of shit for such a statement. Not only is Rapsody handily capable of that claim and very deserving, but she effortlessly addresses this here without mentioning his name, since he cant seem to keep her name out of his mouth. In fact, she keeps it to “I don't take time to address opinions that ain't 9th, Dre, or Jay-Z / Only rap radars I need are them and the streets. ” This short list of just three collaborators is already noteworthy, all of whom look up to her as a great MC. And its not just her own people that want to cut her confidence short, its the very people who could help her distribute her music. “White men run this, they dont want this kind of passion / A black woman story they dont want this kind of rapping / What good is a black woman to them. Raped us in slavery, they raping us again. ” I mean fuck, its a crying shame I cant just post the lyrics to this entire song because Rapsody took the time to make every line meaningful and tie in with the theme of never backing down on what you believe in. This track is such an easy listen because of the bounce in the bass with Phil Collins echoing in and out, 9th fading in and out for the chorus, and Rapsody reminding us shes still getting the money, money, money. Aaliyah is an ode to the 90s R&B queen who exemplified another pillar of Rapsodys character, feeling like a tomboy and being comfortable with that. For as attractive as anybody finds Aaliyah, it seemed tomboyish yet acceptable for her to model for Tommy Hilfiger. “When Aaliyah was alive / It was cool to be a tomboy, Tommy boy fly. ” Rapsody feels she cant get the same treatment as shes been told she needs to sell herself (her body) more than she does now. She disagrees, stating, “Femininity comes in different ways, and this is my form of being a female. The way I dress is feminine in my way, so I call it tomboy femininity because that's what I saw in Aaliyah. ” Her own form of femininity shouldnt be subject to judgment by anyone else, as nobody can tell her how much of a woman she is, especially when she makes her whole image towards music speaking the loudest volumes about her persona. She does describe this beat as sexy though, which I find it to be too, so it was only frustrating for me when I spent about an hour during the release night trying to find the Aaliyah song this samples. I was shocked to find its actually a Sabrina Claudio sample, given Aaliyah has so many dope tracks to choose from. This doesnt stop Rapsody from giving her more nods within her own track, stating shes “More than a woman, real enough to rock the boat. ” Oprah marks the first feature she enlists on the project with Virginia rapper Leikeli47. The first North American black multi-billionaire, known almost purely by mononym, serves as the most convenient conduit to illustrate the urge to get checks. Eric G pieces together a bouncy and riveting instrumental, letting the words circulate in a catchy tune. This is just a fun track in all seriousness, but Reyna makes another appearance at the end to remind her oppressors who told her that she wouldnt have shit, that shell frighten them with what she has now. Whoopi offers a chance for a sister to act up, as Goldberg did in Sister Act. The cooing Watermelon Man sample brings that playful sassiness to life with just the beat. “Angela Bassett / Blow the whole car up, I aint even gassin” just like Bassett blowing up her husbands car in Waiting To Exhale. Rapsodys temper isnt to be tested, and she has no problem tapping into her ratchet. A multifaceted woman, she can play into this aggressive bag whenever she feels. And this album definitely wont let that stop, with the next track being no exception. Serena is as energetic as Serena Williams is on the actual tennis court, owing that in part to the infectious Uncle Luke sample of Dont Stop. Theres not a doubt in my mind that Eric G mustve had a blast spamming the MPC key with the “dont stop” that rings throughout this anthem. “You the captain of your own ship, young blood / A smooth sea never made a skilled sailor. ” Rapsody cites how Serena and her sister Venus came up in the tennis world at a time when black people werent always welcome in said arena, with these rough waters acting as the catalyst for their high level of play they currently occupy. Momentum is the path to greatness along such a murky path, and its why certain people who come from nothing know to strike when the iron is still hot, as you gotta “get it while the going good. ” Prospering through treacherous trails is something Rapsody evokes from those before her, citing “We gon' save them all, Nat Turner, Tubman / For the hate you give, still thugging / That's Shakur life, Giovanni wrote it. ” Freedom fighters Nat Turner and Harriet Tubman physically pulled slaves out of their harsh environments to the free world, but the type of slavery perpetuated today is in keeping black people left to the bottom through mass incarceration, darkness being antonymous to beauty, among other racial injustices. All of this hatred sowed so deep in the infant from birth is the inspiration for the tattoo THUG LIFE across Tupacs chest, meaning “The Hate U Give Little Infants Fucks Everybody. ” This persecution on the elements of a black person from the outside, namely their skin serve as a segue to the next track with Tyra. As Rapsody states, “self love is a radical act, when beauty is in the eye of the oppressor. ” A black woman reaching her level in the modeling and fashion industry is something to behold, as a compliment to her preaching of self-love and acceptance of woman in all shapes, sizes, and skin shades. The Bjork sample weaves these rhymes together so soulfully, and seamlessly into the next track with Maya. Maya Angelou is undoubtedly on the Mount Rushmore of black women for Rapsody. Best known for her autobiography I Know Why The Caged Bird Sings, Angelou is a monumental landmark in American poetry and champion in the black community, working with Martin Luther King Jr. and Malcolm X, in addition to becoming the first female poet to speak at a presidential inauguration. Sampling Green Eyes by Erykah Badu, this paints a soulful palette in the mind of the listener, perfectly readied for the poetry that befalls on their ears not too long after. “I cant be a bird in no cage, ” as Angelou once said, but Rapsody flies high with her words throughout this track. Running back to that theme, “Told me, just like old Morgan, free man / A caged bird sings a song for freedom. ” This harkens back to Morgan Freemans critically acclaimed film Shawshank Redemption where he played a man molded by the prison complex that sought the life of freedom, just as a caged bird. The song is beautiful in execution and reminds us to “stay moving forward, dont waste your soul” just as it closes with Erykahs gorgeous vocals. Rapsody is someone who cant be fenced in, but fencing is ironically the eventual inspiration of the next track in Ibtihaj. Enlisting DAngelo and GZA, the latter of whom made the classic Liquid Swords which is sampled in this track, 9th decided that since it was this track that was flipped, they may as well name it after the first Muslim woman to wear a hijab during the Olympics while representing the US as a bronze medalist fencer. Rapsodys verse is exceptional and features shout outs to early 90s hip hop in Gang Starr, Flavor Unit, and Lady of Rage. The true ode to the early 90s is GZAs standout verse, refurbishing some of his old lines into “a lot of rap is weak, low frequency in the tweeters / very inaudible, clock radio speakers / quietly whispering in a world of WikiLeakers. ” He transforms those old lines to connect with todays world, and passes the torch to Rapsody, who lives out the meaning of “an emcee should electrify, beautify, strive to / empower, inspire, transform a worldview. ” Myrlie Evers is the widow of civil rights activist Medgar Evers, who Nina Simone famously sung about with Missisippi Goddam as mentioned earlier. Mereba joins Rapsody to sing so beautifully “Take, dont take, my love away. ” While Myrlie lost her husband, she continued his work and eventually became an NAACP chairwoman, not allowing his assassination to take her love away. I should also take this time to highlight Mereba who released an incredible project in The Jungle Is The Only Way Out who /u/mehlibu so eloquently wrote about as well. Reyna Biddy, whos already appeared across the project at several points, finally gets her own moment with an articulate poem about the black womans body and spirit in Reynas Interlude. Michelle pays respects to the Harvard Law School and Princeton graduate that became the first African American First Lady. Rapsody subverts expectations by using this track to hypothetically show what happens when she gains the world but must lose her soul. The Obamas faced scrutiny from conservative media throughout their tenure for a “lack of class” for frivolous things such as wearing tan suits. The different set of standards that came with being First Lady didnt mean that Michelle had to lose her values. Rapsody herself stated “You can be a girl from Chicago, who likes to dance and be a real black woman who goes to house parties, and still be a first lady. I wanted to showcase the side of Michelle Obama, like, I'm a first lady but I ain't lose my blackness. Don't get it twisted. You hear it in the hook, with Elle Varner singing, ladies first. That's me playing with wordplay again: We can go from being first ladies to a First Lady. ” Ebony. One of the first ladies to become a successful dark-skinned supermodel, Iman broke barriers for those to come after her, such as Tyra Banks. Accepting yourself inside your skin, whether physical or metaphorical, is another essential pillar to Rapsodys ideology, coming a long way from placing bleach cream all over her skin at age eight to face her insecurities. She brings along with her SiR and J. D. to ensure that black men are included in the convo of loving black women and themselves. What better time to mention queens than the great mononym Hatshepsut, the longest reigning woman pharaoh of Egypt? What better time to bring on Queen Latifah to the project? Hatshepsut acts as a fierce anthem for black woman, recognizing the importance to a queen to every king and vice versa. Rapsody likens herself to Coretta King and Winnie Mandela while reminding us that unity is necessary. Queen Latifah wastes no time to describe what being a queen means to her, being there to love and raise a king, knowing when to be Cleo or Gandhi to protect those you love, and having pride stronger than lions. All queens are shout out by her to have their own throne, spot, and crown along their path to success that shes went through herself. We have another Black Reign to water and nourish the crop, just as we get drowned out by the melodic piano that riffs throughout the track. Sojourner originally appeared on Jamla Is The Squad II, but fits just right into this album with thematic elements to help articulate truths. Afeni marks the closure of this project, attempting to bring closure on the pain that black women feel when black men arent taking their perspective to light. She finally samples the Tupac standout Keep Ya Head Up to bring all of the stories and concepts to a whole. Inspired by the general twitter sentiment that black men feel black women criticize them for every action, Rapsody aims to start a conversation with them that they should empathize with them, for Tupac famously said “we all came from a woman/ I wonder why we take from our women / do we hate our women? ” This disdain must come to a stop, and both sides have their own grievances that have led to the bitterness. Black women are to be cherished and have been one of the most marginalized groups in America, having to fight alongside civil rights movements both for race relations, and feminist equality. Grace and emotion are evoked from this track, and theyve touched me as the most heartfelt song found on the whole album. Favorite Lyrics Got my middle finger up like Pac after attempted murder Failed to kill me, it's still me, woke up singing Shirley Murdock As we lay these edges down, brown women, we so perfect Went from field nigga to still nigga, being cropped out the picture Nina They gon make a sister act up, Angela Bassett Blow the whole car up, I ain't even gassin' I'ma go worldwide, I'ma go NASA Yeah the arm strong, you can get it if you askin' They gon make me go tap into my ratchet I'ma go Left Eye when I get the matches Whoopi Black life we still going They mad we still flowing Black joy, euphoria We wanna smile like gloria That's Hov mama, word to my mama Serena I'm here for a different cause, we seldom receive applause Never reeive awards if we ain't modelling something name Fendi, Gucci, Dior, women like me ignored But it's aight, though, outsiders never change what's in store Tyra Discussion Questions How does this stack up with the rest of her discography, did she surpass Laila's Wisdom? Does Rapsody deserve more credit as a strict emcee and not just as a female? And if not, what does she have to do to prove herself? Is there a collaboration she didn't have on here that you'd like to see in the future? Rapsody encapsulated the emotions and sentiments of black women on certain parts of their character that are attacked such as looks and attitude, did she resonate that through her music so that any perspective could understand those troubles? 9th Wonder was still very involved with this project but gave Eric G a ton of production on the tracks here, would you like to see her lock in with 9th for an entire project again or another dream producer.
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True fiction novel. Follow Description: An MP's son-in-law and mayoral candidate takes a trip with his girlfriend to a vacation home and meets a mysterious neighborhood boy and his friends. Country: Korean Status: Completed Released: 2018 Genre: Thriller; Comments View more video Show all episodes. True 1 door freezer. True fiction korean movie. True fiction design. True fiction trailer. Freezer true. What with all the lovely discussions we're having this week, I thought I'd put my money where my mouth is and shill some books! Here are 55 SFF (or SFF adjacent) books I really enjoyed this year, with mini reviews for each. (Of the books I read this year, 53% were SFF, 31% were non-fiction, and 16% were non-SFF fiction, so I'll only be talking about the books that fall under or adjacent to the SFF umbrella. Books are grouped roughly by theme and ranked, with 1 being my absolute favorite of each group. Feel free to ask which bingo squares any of them qualify for, or which rankings you agree or disagree with! And with that, on to the books! Count by Numbers Five Twelfths of Heaven by Melissa Scott. Space ship pilots navigate space using eldritch singing magic! For anyone hankering for an original and engaging sci-fi adventure with the feel of an old classic. The Seventh Bride by T. Kingfisher. A young girl is threatened with marriage to an evil sorcerer unless she can achieve a series of impossible tasks. For fans of fairy tales, clever protagonists, and a narrative that rewards goodness and kindness. Also, clocks. King's Blood Four & Necromancer Nine by Sheri Tepper. A traditional coming of age fantasy story of a young man with powers based on a chess-like game. Then the sequel proceeds to get really, really weird. For fans of rules-based magic systems and secret sci-fi. Six Gun Snow White by Cat Valente. Snow White is a runaway in the wild west. You could cut the prose with a knife. It is all very Valente. For fans of beautiful prose and shooting the patriarchy. Sixteen Ways to Defend a Walled City by KJ Parker. Not-Byzantium is besieged, and a harried imperial engineer has to ensure that the walls hold. For anyone irritated when other writers ignore issues of food rations and never answer how in the hell the armies are getting paid. Things Go Wrong in Space To Be Taught, If Fortunate by Becky Chambers. A group of four scientists survey a series of planets for signs of life. For those that love the wonder of science and exploration and harbor a deep love of humanity. The Luminous Dead by Caitlin Starling. A cave diver on an alien planet is alone save for the voice of her guide in her ear and the creeping suspicion that she is not alone in the cave system. For fans of The Descent, claustrophobia in general, and those terrifying longline articles about spelunking and scuba diving disasters. Do You Dream of Terra Two? by Temi Oh. A group of maladjusted teenagers launch on a lifetime mission and slowly come to terms with the act that they'll never see Earth again. For fans of character-driven stories, existentialism, and people that wonder what happens after the cameras turn off. Salvation Day by Kali Wallace. Followers of a charismatic cult leader are sent to hijack an abandoned space ship, not realizing it was abandoned For A Reason. For fans of the Alien franchise and World War Z. Alien: Echo by Mira Grant. Twins (because Mira Grant) on a colony planet come across something big and bitey. Things go downhill from there. For fans of Alien and all other space horror classics. Wibbly Wobbly Timey Wimey The Light Brigade by Kameron Hurley. A soldier signs up to fight aliens, and repeatedly gets beamed to different drop sites than the rest of the platoon. For fans of The Forever War and The Seven and a Half Deaths of Evelyn Hardcastle. The Archive of Alternate Endings by Lindsay Drager. The story of Hansel and Gretel is told and retold in sync with flybys of Halley's comet and in the shadow of the AIDS epidemic. For people that want to cry about brothers and sisters, and people that think telecommunications satellites are underrated narrators. Middlegame by Seanan McGuire: Twins (because Seanan McGuire) use the power of numbers and language to maybe end the world? For fans of chess metaphors and The Wizard of Oz. Silently and Very Fast by Cat Valente. An AI has complicated feelings about its creators. For fans of poetic language and trippy dreamscapes. The Time Traders by Andre Norton. A plucky American lad competes with The Soviets to find alien artifacts in a prehistoric landscape. For fans of good clean fun, bromances, and outsmarting those gosh darn Ruskies. Sequels and Threequels The Winter of the Witch by Katherine Arden. Vasyas story concludes in this beautiful homage to Russian fairytales. For people that have feelings about the interplay between Russian mythology, Christianity, and womanhood. Also for people that find ice demon kings really hot. The Dragon Republic by RF Kuang. The not-Chinese-Civil-War continues, Rin struggles with opium addiction, and everyone involved continues to make terrible life choices. For fans of grimdark and class consciousness. Grey Sister, Holy Sister by Mark Lawrence. Ninja assassin nuns continue to do ninja assassin nun things. For fans of vicious teenage girls and badass magic fights. The Wicked King by Holly Black. Jude and Cardan continue to scheme over the throne of Faerie while sniping viciously at each other. If you liked the first one, you'll like this one. Wayward Son by Rainbow Rowell. After vanquishing the Big Bad and subsequently getting depression, Simon Snow's friends drag him to America on a vacation that promptly goes wrong. For fans of roadtrips, people that hate Valley tech-bro culture, and people that wonder what happens after the final battle. Everyone Involved Needs Therapy The Test by Sylvain Neuvel. A man sits down to take his UK citizenship test, and everything goes to hell. For fans of Black Mirror. The Devil's Diadem by Sara Douglass. A medieval woman is caught up in a plague sent from hell itself in a battle for a lost artifact. For fans of seriously dysfunctional romantic relationships, medieval books that feel medieval, and crying. The Winter Prince by Elizabeth Wein. Mordred has a terrible relationship with his mother, father, and brother in post-Roman Britain. For fans of seriously dysfunctional familial relationships, second-person, and period-accurate Arthuriana. The Birthgrave by Tanith Lee. Woman that may be a demon or a goddess wanders around a vast and ruined world making terrible relationship choices. For fans of unsympathetic protagonists and those weird landscapes in the last Mad Max movie. Ormeshadow by Priya Sharma. A young boy imagines the dragon sleeping beneath his sleepy village and attempts to ignore the tensions between the adults of the family. For everyone who's ever wanted to level their hometown. Diverse Representation They Both Die at the End by Adam Silvera. In a world where citizens are warned that their life will end in the next 24 hours, two strangers set out to make their last day count. Spoiler: they both die at the end. If you want YA with a heart, and also want to sob on the bus. The Raven Tower by Ann Leckie. Hamlet retold by a rock in second person. For fans of: Hamlet, rocks, second person narratives. Pyre at the Eyreholme Trust by Lin Darrow. An ink mage falls in with a gangster with fire powers in this rollicking romance. For fans of 1920s slang and fast paced UF. Moon of the Crusted Snow by Waubgeshig Rice. Members of the Anishinaabe tribe in northern Canada contend with the end of the world. For fans of survival stories, dystopias, and the slow horror of winter setting in. Temper by Nicky Drayden. In an alternate-universe Cape Town, all people are born as twins, with each of the seven deadly sins given to one of the two. For fans of magical schools, demons, and plot twists. Weird, Grubby Girls The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making by Cat Valente. A delightfully weird girl finds her way to fairyland, where she encounters creatures both diverse and strange, to include bicycle herds, a wyvern/library hybrid, and a breeze leopard. For fans of whimsy, wonder, and Alice in Wonderland. Also Rothfuss loved it, if you're a fan of his. Fly by Night by Frances Hardinge. A weird, grubby little girl (because Hardinge) her homicidal goose, and the con-man she's attached herself too accidentally get embroiled in a succession crisis. For fans of political intrigue, clever wordplay, and the Untitled Goose Game. Dead Voices by Katherine Arden. A gaggle of children are trapped in a haunted ski lodge and must fight to survive both freezing temperatures and malevolent spirits. For fans of Goosebumps and people that think Hunting Lodge chic is an underutilized horror aesthetic. Verdigris Deep by Frances Hardinge. Grubby girls AND grubby boys find an eldritch power lurking in a well that grants wishes in terrible ways. For fans of fractured fairy tales. Wilder Girls by Rory Power. Students at a quarantined girls' school slowly succumb to terrible mutations. For people that know teenage girls are kind of awful, and also like body horror. Soft or Spooky +Plants Ghost Wall by Sarah Moss. A modern working-class family travels into the wild to experience life as the ancient Britons did, and Things Go Wrong. For fans of Actual Historical Accuracy and Eldritch Rituals (Technically not SFF but it's my list and I do what I want. The Lie Tree by Frances Hardinge. A weird, grubby little girl (because Hardinge) comes across a sinister tree that feeds on lies. For fans of paleontology, Early Modern natural philosophers, and the grim romanticism of isolated seaside villages. Tehanu by Ursula K LeGuin: The Wizard Ged, retired from magic, moves to a sleepy village with the widow Tenar and a horribly abused child. They herd their flocks, tend to their gardens, and will probably make you cry. For people tired of teenage heroes and epic battles. Garden Spells by Sarah Addison Allen. A delightful tale of a sleepy town, a magical apple tree, and two sisters with magical powers that learn to allow themselves to love again. For fans of baking and second chances. Summers at Castle Auburn by Sharon Shinn. The bastard daughter of a noble house spends summers surrounded by the nobility as she grows to adulthood. For fans of gentle, slice-of-life fantasy, and kind, caring, Hufflepuff-to-the-bone heroes. Ye Olden Times Sir Gawain and the Green Night by Anonymous, trans. Simon Armitage. A stalwart and true knight ventures into the wilds to defeat his foe, ends up chilling in a strange castle and getting hit on by his host's wife. For fans of beautiful prose, desolate landscapes, and pre-modern bros being bros (also the audiobook is amazing. Bakkhai by Euripides, trans. Anne Carson. A man spurns Dionysus, and the god takes it upon himself to teach him a lesson. For fans of divine madness and women going full on feral in the woods. The Screwtape Letters by CS Lewis. An infernal bureaucrat directs his bumbling protege on how to secure the soul of a young man living in London during the Blitz. For fans of meditations on Christianity and anyone that has ever hated their office supervisors. Jirel of Joiry by CL Moore. A very fierce barbarian princess barbarians her way through a series of weird, lovingly described landscapes. For fans of enemies-to-lovers-to-enemies-to-lovers and weird, eldritch, trippy shit. (Also, a key inspiration for Tamora Pierce's Alanna. The Tain by Anonymous, trans. Ciaran Carson. A bunch of Irish warriors drink a lot and fight over a cow. Not just any cow. A really sexy cow. For people that enjoy the warrior lists in the Illiad and also listening to their drunk friends talk about how great they are. SFF-Adjacent Nonfiction An Informal History of the Hugos by Jo Walton. An in-depth look at every year of the hugo awards from the very beginning. Wonderful for giving a sense of perspective to the genre and an understanding of what led to our current fiction trends. For people that want to add 100+ books to their TBR piles. Words are My Matter by Ursula K. LeGuin. Sometimes moving, sometimes insightful, always beautiful essays by a master of the craft. For fans of everything fantasy. Appropriately Aggressive: Essays about Books, Corgis, and Feminism by Krista D. Ball. What it says on the tin. For anyone wondering why everyone talking about female authored books right now seems so frustrated and tired. Also great for enyone considering self-publishing. Virtue Signaling and Other Heresies by John Scalzi. Read along as Scalzi cheerfully expounds on life, books, and pissing off trolls on the internet. Read if you are interested in any of those things. The Stars Like Sand: Australian Speculative Poetry by Various. A very odd collection of SFF poetry written by those folks down under. Quality is admittedly. variable, but there are some gems. Year's Best This is How You Lose the Time War by Amal El-Mohtar & Max Gladstone. On the off chance that you've been living under a rock: postmodern weird-AF F/F time-travel epistolary novella with prose more lusciously purple than Homer's wine-dark sea. Reader, this made me cry like a small child. Silver in the Wood by Emily Tesh. A gay forest spirit and the idiot folklorist who loves him! Eldritch forest creatures! Lush descriptions of plants! Gentle musings on learning to love and grow again! Trees! Gideon the Ninth by Tamsyn Muir. Lesbian space-necromancers with swords fight in a deadly space-necromancer competition set in a haunted gothic mansion. It is so badass. We do bones, motherfucker. A Memory Called Empire by Arkady Martine. You'll either dig it for the intricate House of Cards political mechinations and the nuanced meditations on imperialism, or for the fact that it's AZTECS IN SPACE! Sandman: The Dream Hunters by Neil Gaiman and Yoshitaka Amano. What's better than Neil Gaiman? Neil Gaiman wedded to the otherworldly art of Yoshitaka Amano. Read it and drool. Oh, and the story is very good too. Still reading? I did this last year too; you can see the results here if you're curious. A bit of comparison below: 2018 2019 Total Books 160 150 Author Gender 36% Male, 64% Female 35% Male, 65% Female Primary (Low) Fantasy, Secondary (High) Fantasy, Scifi 45% 39% 16% 46% 26% 28% Most Read Authors Euripides (6) Martha Wells (4) CS Lewis (3) Valente (3) Hardinge (3) McGuire/Grant (3) And that's that! See anything you like? Read any of these and want to talk about them.
What is true fiction. True look construction camera. True fiction two. True 2 door refrigerator. Blazblue central fiction true blue. TRUE en STream vf GratuiT True Fiction movie tamil download Watch TrUe FictIon Online Free Movie 4K Watch True Fiction Movie Online Free Download. True Fiction★Full★Movie★Online★FREE★ - video dailymotion. True t23. Unfortunately this one is behind a paywall but I can try and translate the beginning. WELT: Game of Thrones" has finished telling your story before you could to that. Does that put you under pressure? GRRM: People know an ending – but not THE ending. The show makers have passed me which I hadn't expect. Nevertheless, I will continue to do what I have been doing for the past years: I still try to finish the next book "Winds of Winter" and then the following novel "A Dream Of Spring. These are the things I am concentrating on. After that, we will see. WELT: Again: We know what will happen to the Mother of Dragons. How do you want to surpass that in a novel – with an alternative literary version. Maybe someone else can access the rest. EDIT: Okay, I did subscribe and it seems like the questions in the beginning were just a teaser. I tried my best to translate everything. If anything is unclear please ask me. If anything is grammatically wrong or I used strange words, please let me know. I am not a native speaker of English. The introduction the interview is hilarious that is why I translated it as well. The fantasy writer George RR Martin has become an influential movie producer. A talk with the creator of "Game of Thrones" and the race between the tv show and novel and the discarded cinema plans. The creator of the fantasy world Westeros welcomes us above the roofs of Dublin, in the suite of the hotel which belongs to U2 musician Bono. George RR Martin, whose cycle of novels "The Song of Ice and Fire" is the source material for the tv series "Game of Thrones" came to Ireland because of a fantasy fair convention. Many of his fans would like to see him finally finish writing the two missing novels of his saga which had been announced years ago instead of appearing publicly. The 71-year-old American with his sailors cap looks like a mixture of Käptn Iglo and Buddha. His hands are often folded in front of his belly - he doesnt seem to be easily ruffled. WELT: Mr. Martin. You seem to be able to do many things at the time. Are you a multitasking junkie? GRRM: I like doing many different things. What I don't like is writing the same story over and over again. In the beginning of my career I wrote science fiction, then fantasy and later horror stories as well. Also reviews for a short period of time. I taught journalism, since the mid 80s I have been writing scripts - and today I am also working as a movie producer. Since the completion of "Game of Thrones" I am currently developing a prequel series for that for HBO. Furthermore, I have another deal with the network: I am supposed to produce more shows for them which do not originate from the universe of my stories. WELT: What does that mean exactly? GRRM: I am working with the writes Nnedi Okorafar on a movie adaption of her science fiction novel "Who Fears Death. And I am the owner of a small arthouse cinema in Santa Fee, where I live. This is all eating up my time. But I like that. WELT: Two additional novels of "A Song of Ice and Fire" have been pending for years. How do you bear this pressure? GRRM: See: When it comes to writing novels, I can only make one step after the other. I have writer friends who can work on three or four different projects at once. They start with a novel in the morning, continue with a short story in the afternoon and write a script at night. I am not able to do that. When I am writing novels, I dive deeply into the fictional world. This demands my full imagination, I have to live through it, so to say. It is easier to edit a draft, to work as a producer for movies or simply be a cinema owner compared to writing novels. (Question and answer from the teaser. WELT: Again: We know what will happen to the Mother of Dragons. How do you want to surpass that in a novel – with an alternative literary version? GRRM: Counter question: How many children did Scarlett O'Hara have? In Margaret Mitchell's novel "Gone with the Wind" she had three children. But in the cinema version of the novels she only had one child. Which version is the only one valid - the one with one or the other with three children? The answer is: neither. Because Scarlett O'Hara never existed, she is a fictional character, not a real person, who would have had real children. Or take "The Little Mermaid. We know her from the fairytale of the same name by Hans Christian Andersen and from the Disney movie. Which one is the true mermaid? Well, mermaids do not exist. So you can chose the version that you personally like the best. Changes are inevitable in this process. Even if the adaption is as faithful to the literary source material as it was the case with "Game of Thrones. They continue talking about Star Wars, how George Lucas visited the set, about science fiction in general and Quentin Tarantino. WELT: What did you two talk about when you met? Tarantino and Martin) GRRM: We share the fact that we both own a cinema. We cried on each other's shoulder how difficult it is being a cinema owner these days. I would love working with him some day. Tarantino is a genius. A different director that I admire is Guillermo del Torro. I would give my arm for working with him. My left one, I have to write with the right. (laughs) WELT: Could one of these direct a movie to "Game of Thrones" GRRM: At the moment it is not my place to decide because the movie rights for "Game of Thrones" belong to HBO. Besides from that, we actually considered this option: David Benioff and Dan Weiss, the makers behind the tv show, wanted to finish the saga with three big movies after season 7. "Game of Thrones" was supposed to end in cinema. It was seriously discussed four to five years ago. WELT: Why didn't it work? GRRM: Because HBO didn't want that. The executives said: We produce tv shows, we are not in the cinema business. And if HBO does make a movie, like the movie based on "Deadwood" they only produce it to show it on tv - not on the big screen. Everything is changing at the moment. What is being shown at the cinema right now? Everything is mixing up. Nowadays we don't know where the lines between cinema, streaming services and television are. WELT: Nightflyers" based on your books can be seen on Netflix, as a producer you are working for HBO. And you own an arthouse cinema in Santa Fe. Are you doing species conservation? Long talk about his cinema and cinemas in small towns in earlier times. EDIT2: Here is the full translation by deepL. EDIT3: The thumbnail is fishsticks because the introduction said GRRM looks like a mixture of Käpt'n Iglo and Buddha. (Because he looked so relaxed with his hands in front of his belly. By the way, I had the same impression when I saw GRRM in person. Käpt'n Iglo is a popular brand for frozen products in Germany (literally Captain Igloo) and the guy in the upper left corner is their icon. I found that hilarious:D EDIT4: I think my translation made it to Men's Health:D.
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